Wednesday, 7 May 2025

Hunt for hidden books to mark World Book Night

 

                                                                       More than 270 books were discovered last year

Books have been hidden across East Yorkshire as part of a treasure hunt to mark World Book Night.

The county's library service will provide clues on social media to the locations.

People who discover the books are being asked to post about it online. Last year more than 270 were found.

Librarian Hayley Nicholson said it was about "bringing the joy of reading to the whole East Riding"

."Stories are such a worthwhile thing to share, and we can't wait to see all the lucky people who find our hidden books," she said.

"We want people to interact with others in their community too, so once you've read your found book, you can pass it on to a friend, family member, or even a complete stranger."

World Book Night, which was on Wednesday, is a national event that aims to encourage adults to start reading and celebrate the impact of books on people's lives, East Riding of Yorkshire Council said.

Tuesday, 8 April 2025

The Vampire Diaries author LJ Smith dies at 66

 

Author LJ Smith, whose best-selling Vampire Diaries novels were turned into a hit TV show, has died at the age of 66.

Lisa Jane Smith published the original four-book series, about a love triangle involving two vampire brothers and an orphaned young woman, in 1991 and 92, before releasing another Vampire Diaries trilogy in 2009-11.

However, she was dropped from her own book series and replaced by new authors by publishers, but Smith continued releasing new instalments unofficially as fan fiction.

The official books were adapted for TV in 2009 and the show became a teen favourite over its eight years.Described by the Guardian as a "deliciously pulpy supernatural soap opera", the TV version was part of a craze for vampire stories that also included Buffy the Vampire Slayer, Twilight and True Blood.

The show won a total of 30 Teen Choice Awards including six consecutive prizes for best fantasy/sci-fi actress for Nina Dobrev, who played Elena for the first six seasons.

Dobrev starred alongside Paul Wesley and Ian Somerhalder as brothers Stefan and Damon Salvatore.

Fan fiction comeback

Smith had originally been hired to write the novel series by a book packager - who sold them to a publisher - under a deal where they, not she, owned the rights.

She said the packager dropped her in 2011 and handed over her unpublished eighth instalment to an anonymous ghostwriter, who went on to publish two further Vampire Diaries books.

The series was then handed on to an author using the pen name Aubrey Clark for three more. However, Smith's remained the most prominent name on the book covers as the series creator.

The author said the situation left her feeling "trashed" and "mutilated".

However, she went some way to reclaiming her creation when the Vampire Diaries was added to an Amazon Kindle scheme granting official permission for anyone to publish fan fiction linked to existing books.

Smith launched a new unofficial Vampire Diaries trilogy through that scheme, which picked up where her last official book left off.


She was also known for the Night World novels, which also feature vampires as well as witches, werewolves and shapeshifters, who secretly live among the human race.

Nine Night World volumes were published between 1996 and 98, before Smith took a decade-long break from writing. She said it was a result of writer's block while two family members dealt with cancer.

Smith's The Secret Circle trilogy, published in 1992, was also turned into a TV drama in 2011. She also wrote the Dark Visions and The Forbidden Game trilogies.

A statement on her website said: "Lisa was a kind and gentle soul, whose brilliance, creativity, resilience and empathy, illuminated the lives of her family, friends and fans alike.

"She will be remembered for her imaginative spirit, her pioneering role in supernatural fiction, and her generosity, warmth and heart, both on and off the page."

Thursday, 20 March 2025

Banaras Lit Fest announces winners for 2025 Book Awards in fiction, nonfiction, poetry, translation

 

A lifetime achievement award was given to Hindi writer Kashinath Singh, and an award for scheduled Indian languages to writer Radha Vallabh Tripathi.

                                            Winners of the 2025 Banaras Lit Fest Book Awards.

The Banaras Lit Fest has announced the winners in fiction, nonfiction, poetry and translation categories for its 2025 book awards. Besides English, the awards were also given to Hindi language books.

The winners will receive a cash prize of Rs 51,000, along with a certificate and a trophy, during the festival, which will be held in Varanasi between March 7 and March 9.

In addition to the book awards, the Bhartendu Harishchandra Lifetime Achievement Award of Rs 1 lakh was given to Hindi writer Kashinath Singh, and the Kalidas Award for Scheduled Indian Languages of Rs 51,000 was given to writer Radha Vallabh Tripathi.


The English winners

  • Ruskin Bond Award for Fiction: The Patient in Bed Number 12, Raj Kamal Jha, Penguin India

  • Sarvepalli Radhakrishnan Award for Nonfiction: Tipu Sultan: The Saga of Mysore’s Interregnum (1760-1799), Vikram Sampath, Penguin India

  • Sarojini Naidu Award for Poetry: I’ll Have It Here: Poems, Jeet Thayil, HarperCollins India

  • Rabindranath Tagore Award for Translation: The Keeper of Desolation: Stories, Chandan Pandey, translated from the Hindi by Sayari Debnath, HarperCollins India


The Hindi winners

  • Kabir Award for Poetry: आत्मद्रोह, आर चेतनक्रांति, राजकमल प्रकाशन

  • Rahul Sankrityayan Award for Nonfiction: गार्जियनता , व्योमेश शुक्ल, रुख़ पब्लिकेशन

  • Premchand Award for Fiction, आउशवित्ज: एक प्रेम कथा, गरिमा श्रीवास्तव, वाणी प्रकाशन

  • Mahadevi Verma Award for Translation: नये भारत की दीमक लगी शहतीरें , परकाला प्रभाकर, अनुवाद: व्यालोक पाठक, राजकमल प्रकाशन

Tuesday, 18 February 2025

PM Narendra Modi Meets US Billionaire and Tesla-XSpace Man Elon Musk, Gifts Rich Indian Literature to His Children

 

PM Modi gifted Elon Musk’s children with three classical works of Indian literature.

Washington, DC – In a significant diplomatic encounter that transcended the usual bounds of business and politics, Indian Prime Minister Narendra Modi met with Tesla and SpaceX CEO Elon Musk at Blair House in Washington, DC. This meeting, part of Modi’s two-day visit to the United States, was a discussion of space, technology, and innovation and an unexpected celebration of cultural exchange through literature.

A Meeting Beyond the OrdinaryThe meeting between Modi and Musk, held on February 13, 2025, was widely anticipated, focusing on strengthening ties in innovation, space exploration, AI, and sustainable development. However, what stood out was Modi’s thoughtful gesture of gifting three quintessential pieces of Indian literature to Musk’s children: Rabindranath Tagore’s “The Crescent Moon,” “The Great RK Narayan Collection,” and the ancient fables of “Panchatantra” by Pandit Vishnu Sharma.

This act was more than a simple exchange of gifts; it was a strategic move towards cultural diplomacy. With Musk’s children in attendance, Modi seized the opportunity to introduce them to the rich tapestry of Indian storytelling, planting seeds for a deeper understanding and appreciation of Indian culture among the next generation.

Literature as a Bridge Between Civilisations
Modi’s choice of literature was deliberate and symbolic. “The Crescent Moon” by Tagore, a Nobel laureate, is a collection of poems that reflect the innocence and wonder of childhood, resonating universally with its themes of love, nature, and the human spirit. By gifting this book, Modi shared a piece of India’s literary heritage and connected personally, appealing to the universal experiences of childhood and parenthood.

“The Great RK Narayan Collection” introduces readers to the quaint town of Malgudi. This fictional locale has captured readers’ hearts worldwide with its simple yet profound tales of everyday life. Narayan’s stories delve into the human condition, humour, and the
subtle intricacies of Indian society, offering a window into the soul of India. This gift was a nod to the shared human experiences across cultures, suggesting that our stories are not so different at the core.

Perhaps the most culturally significant was “Panchatantra,” a collection of animal fables dating back to around 300 BCE, which is renowned for its wisdom and wit. These stories are designed to educate and entertain, teaching moral lessons through cunning and intelligent animals. Gifting “Panchatantra” symbolised Modi’s intent to share ancient Indian wisdom, transcending time and geography, fostering a dialogue that bridges ancient and modern worlds.

Mitigating Cultural Gaps
This literary exchange at such a high-profile meeting underscores the power of literature as a tool for cultural diplomacy. In an era where technology, business, and politics often dominate interactions between nations, Modi’s gifts remind us that culture, particularly literature, serves as a fundamental connector across diverse civilisations.

Literature’s narrative depth and emotional resonance can dismantle stereotypes, foster empathy, and build mutual respect. By introducing Musk’s children to these Indian classics, Modi laid the groundwork for cultural curiosity and understanding from a young age. This act subtly counters the often narrow focus on economic or political agendas, promoting a more holistic view of international relations where cultural exchange is just as pivotal.

The Role of Storytelling in Diplomacy
The meeting highlighted how storytelling can be leveraged in modern diplomacy, an art form integral to human communication for millennia. Stories carry within them the essence of a culture – its values, morals, humour, and heart. When leaders like Modi share their nation’s stories, they are not merely sharing books; they are sharing a piece of their civilisation’s soul.

Moreover, these stories have the potential to influence future generations. As Musk’s children read these tales, they engage with Indian culture in its most authentic form, free from the biases or reductions often found in media or political discourse. This can lead to a lifelong appreciation and understanding of India, potentially influencing how business leaders of tomorrow perceive and interact with India.

A Broader Impact
The significance of this meeting extends beyond the immediate political or economic benefits. It sends a message to the global community about the importance of cultural literacy in international relations. Literature offers a common ground where humanity can meet in a world increasingly divided by ideologies and national interests.

Furthermore, this event might encourage other nations to engage in similar acts of cultural diplomacy. If global leaders recognise the value in sharing their cultural narratives, it could lead to a more empathetic and interconnected world, where decisions are driven by profit or power and a deeper understanding of each other’s heritage.

Prime Minister Narendra Modi’s meeting with Elon Musk, highlighted by the gift of Indian literature, was a masterclass in cultural diplomacy. It illustrated how leaders can use the soft power of their nation’s artistic expressions to build not only economic or strategic bridges but also profoundly human. As these books find their way into the hands of Musk’s children, they carry with them the potential to nurture a generation that values cultural exchange as much as technological or economic advancement. In this way, Modi’s thoughtful gifts might be the quiet heralds of a more culturally rich and understanding global community.

Tuesday, 21 January 2025

The Hindu Lit For Life 2025 at Lady Andal school in Chennai on January 18, 2025

 


The first day of The Hindu’s Lit for Life 2025 explored the power of words and language, Tamil poetry, and literary discussions

The opening day of The Hindu Lit for Life 2025 in Chennai featured 20 enriching discussions, spread across two venues at Lady Andal school. The origin of words, how they steer the course of our lives, and how they have shaped the modern Tamil psyche represent but a small sample of how the first day of The Hindu’s Lit for Life 2025 unfolded.

Eminent physician and author Dr. Abraham Verghese, in the inaugural session, noted that the “only instrument that can stop time in this world is a novel.” Thiruvananthapuram MP Shashi Tharoor, emboldened this statement in the following session as he spoke extensively about his “word ethic.”

Meanwhile, Perundevi and Bogan Sankar agreed modernity has created a certain ambiguity, complexity in the sphere of Tamil poetry. Nirmala Lakshman, Chairperson (The Hindu Group), in a conversation with Anita Ratnam elucidated on the Tamil spirit, which she said enables the Tamil people to “change ourselves to the larger framework, without losing our sense of self.” 

German author Jenny Erpenbeck and translator Michael Hofmann spoke on how language and translation shaped their International Booker Prize-winning novel Kairos

The event will further see Francesc Miralles unravel the secrets of Ikigai and the audience will get to be a part of wide ranging conversations and discussions. Sex educator, author, and entrepreneur Leeza Mangaldas challenged societal norms on sex education and pleasure at The Hindu Lit for Life event.

Sunday, 1 December 2024

Amitav Ghosh Laureate Erasmus Prize 2024

 


The Praemium Erasmianum Foundation has awarded the Erasmus Prize 2024 to the Indian writer Amitav Ghosh. He receives the prize for his passionate contribution to the theme ‘imagining the unthinkable’, in which an unprecedented global crisis – climate change – takes shape through the written word. Ghosh has delved deeply into the question of how to do justice to this existential threat that defies our imagination. His work offers a remedy by making an uncertain future palpable through compelling stories about the past. He also wields his pen to show that the climate crisis is a cultural crisis that results from a dearth of the imagination.

Born in Kolkata in 1956, Ghosh studied social anthropology at Oxford and divides his time between India and the United States. He has produced a vast body of work, made up of both historical novels and journalistic essays that carry the reader across continents and oceans. Each work is grounded in thorough archival research and succeeds in transcending boundaries and time periods with literary eloquence. Ghosh makes major themes such as migration, diaspora, and cultural identity tangible without ever losing sight of the human dimension.

Nature has been an important character in his work ever since he conducted research into the tidal landscape of the Sundarbans for his book The Hungry Tide and witnessed how climate change and rising sea levels were ravaging the area. Drawing from the rich history of the Indian subcontinent, Ghosh describes how, in that part of the world where he was born, the effects of natural catastrophes have been inextricably linked with human destiny for a very long time. In his compelling Ibis trilogy, set against the backdrop of poppy cultivation and opium wars, he shows how colonialism has left equally deep scars in the landscape.

In his non-fiction book The Nutmeg’s Curse he traces the current planetary crisis back to a disastrous vision that reduces the earth to raw material, soulless and mechanical. In his essay The Great Derangement he challenges readers to view climate change through the geopolitical context of war and trade. Through understanding and imagination he creates space for hope, a prerequisite for change. Thus, Ghosh propagates a new humanism in which not only all people are equal, but humanity also abandons the distinction between man and nature.

Ghosh has won various prizes, among them the 2018 Jnanpith Award, the highest literary prize in India. In 2019 he received an honorary doctorate from Maastricht University and was ranked by Foreign Policy magazine as one of the most important global thinkers of our time.

The following is Ghosh’s acceptance speech, delivered on November 26, 2024, produced in full from the Praemium Erasmianum Foundation’s website. It takes only a glance at a newspaper nowadays to see that much of what we once took for granted is either being cast aside or turned on its head. Indeed, with floods sweeping away entire cities, and the prospect of a nuclear war closer than it has ever been, I couldn’t bring myself to think about what I was going to say today until a couple of weeks ago; such are the uncertainties of our times that I wondered whether it would even be possible to hold this ceremony as scheduled.

On the day that I finally began to write these words, I happened to be at the far eastern end of Indonesia, in the Banda archipelago, which is the ancestral home of the tree that produces both nutmeg and mace. These spices were once immensely valuable, and they made those islands so rich and prosperous that they became a coveted prize for European colonialists and were ultimately conquered by the Dutch East India Company or VOC. In the year 1621, on the orders of the then governor general of the East Indies, Jan Pieterszoon Coen, almost the entire population of the islands was eliminated in the course of a few weeks, although a few hundred managed to escape to neighboring islands where they kept their culture and language alive till the present day. This was one of the foundational genocides of the early modern era, and it enabled the VOC to establish a monopoly on nutmeg and mace, which in turn, contributed greatly to the prosperity of the Netherlands in the period known as the Dutch Golden age.

This atrocity never features in the art and literature of that period, and it would probably have been largely erased from history had it not been for the work of an almost forgotten Dutchman who happened to be the head archivist of the colonial administration in Batavia, J.A. van der Chijs. In 1886  van der Chijs published a meticulously detailed account of the Banda genocide, titled The Establishment of Dutch Rule Over The Banda Islands: it was van der Chijs’s research that made it possible for me to write my own account of the Banda massacre in my book The Nutmeg’s Curse.

Van der Chijs should by rights be accorded a prominent place within the distinguished lineage of Dutch critics of empire that goes back to Eduard Douwes Dekker or Multatuli. This tradition that has been kept alive until the present day by scholars like Jan Breman, Dirk Kolff and Marjolein van Pagee. The fact that I am here today, to accept this great honor here in the Netherlands, is itself a testament to this tradition’s continuing relevance and vitality.

The legacies of writers like Multatuli and van der Chijs serve to remind us of the extreme violence through which Western hegemony over the entire  planet was established several centuries ago. It is important to note that violence was not incidental to the geopolitical ascendancy of Western empires; it was central to it. As the American political theorist Samuel Huntington once noted: “The West won the world not by the superiority of its ideas or values or religion… but rather by its superiority in applying organized violence. Westerners often forget this fact; non-Westerners never do.”

Paradoxically, it was in the aftermath of decolonization that Western geopolitical dominance reached its apogee, with the United States becoming the world’s sole hyperpower at the end of the Cold War. This rise to absolute dominance happened so suddenly, and in such a fashion, that American political elites came to be convinced that the US had achieved absolute and permanent geopolitical supremacy, and that its paramountcy would never again be challenged. This, combined with the booming successes of Silicon Valley, created a hubris that surpassed anything that had existed even in the glory days of European imperialism in the 19th century. Western politicians and pundits decided that they had a duty to impose their will wherever they wanted, for whatever reason. And what was the result? Sadly, it was a swath of destruction that stretched from Afghanistan and Pakistan to Iraq, Syria, Yemen, Libya, Somalia and Palestine.

NATO’s bombing of Libya is a particularly egregious example of the short-sightedness of Western actions in this period. Libya was host to hundreds of thousands of Asian and African migrants: after the government collapsed, and the country descended into civil war, these workers had no recourse but to flee across the Mediterranean, as stateless migrants and refugees.This resulted in a crisis that continues to roil politics in the West to the present day, with the issue of migration causing an upsurge in support for demagogues and right-wing movements. Driving the ascendancy of these neo-fascist movements is a myth of victimhood, in which affluent countries are seen as the aggrieved parties, resisting invasions by black and brown foreigners. Yet the fact is that the preconditions for these mass migrations were created by none other than the West itself, with the multiple invasions and regime change operations that it launched across the world while it was reveling in the delirium of the unipolar moment.

Did none of the West’s leaders, with all the collective wisdom of their armies of pundits and think tanks, see this coming? The triumphalism of their pronouncements at that time suggest that they truly believed that their actions would never have any consequences. But, as the recent US elections show, all of that is now unraveling because of a tremendous backlash from their own constituencies, which are no longer willing or able to pay the price of hegemony.

This is indeed one of the principal reasons for the extreme uncertainties of our era, because it has now become evident that the centuries-long period of Western dominance is lurching towards its end. Whatever might be our opinions on the rights and wrongs of the current conflicts in Israel, Gaza, Lebanon, Yemen and Ukraine, it is now self-evident that it is no longer possible for the West to dictate solutions through force of arms, as it once did: it has lost its erstwhile ‘superiority in applying organized violence.’ This loss has been accompanied also by an accelerating erosion of the West’s financial and industrial dominance: the fact that the recently founded BRICS  grouping of nations now has a significantly larger share of global GDP than the G7 nations is a clear indication of this. Nor is it a coincidence that this relative military and financial decline has been accompanied by political crises of such gravity that the West’s structures of governance are now in danger of swerving disastrously off course.

We are, in other words, in a moment of multiple intersecting crises and transitions – of geopolitics, financial structures, and, perhaps most importantly, of environmental and ecological regimes that are slowly but surely pushing the planet towards catastrophe. No wonder then that one of the most often repeated quotations of our time is Antonio Gramsci’s famous aphorism: “The old world is dying, and the new world struggles to be born: now is the time of monsters.”

That is where we find ourselves today, living through a time of monstrous anomalies, when exterminatory violence, like that which depopulated the Banda Islands, can play out on live television; a time when it is possible to speak of the deaths of certain people, but not of others; a time when entire cities can be swept away by flash floods while the world carries on as usual; a time when environmental activists receive longer jail sentences than corporate criminals; when UN  forums for climate change negotiations turn into markets for selling oil and gas.

Even Antonio Gramsci could not have imagined the full extent of the abnormality of our era, because he lived in a simpler time when the most dangerous monsters were purely political creatures, like fascists. What is distinctive about our time is that its monsters consist not only of political extremists of all kinds, but also of weather events that could not have been conceived of in Gramsci’s lifetime: supercharged storms, megadroughts, catastrophic rain-bombs and the like. Back then these monsters, had they appeared, would have been considered ‘natural’ phenomena or acts of God. But knowing what we now know about the role of anthropogenic greenhouse gas emissions in intensifying climate disasters, it is no longer possible to cling to the fiction of a strict division between the natural and the political: it is clear now that wildfires, rain-bombs and the like are also deeply political creatures in that they are the by-products of historical processes that have hugely benefited a small minority of human beings at the expense of the great majority of the world’s population.

These inequalities are at the core of the monstrous dramas that are unfolding in front of us today: what we are witnessing is nothing other than an epochal struggle between those who are intent on preserving their historical advantages, and those who are not only determined to resist but now also have the means to do so.  And since those historical advantages, as well as the means to resist, are greatly dependent on the use of fossil fuels, the result is a spiraling double helix that will continue to generate more and more monstrously anomalous events, through processes that are neither exclusively political nor environmental, but both at once.To come to this realization has taken me a very long time and I am fortunate in having had the support, on this journey, of my children Lila and Nayan, and above all, of Deborah, my partner of 35 years, who has at this point been by my side for the better part of my life. I have also been extraordinarily fortunate in having had the support of many friends and members of my family, some of whom have taken the trouble to travel long distances to be here today: I thank them all from the bottom of my heart, particularly my sister and my niece, and my in-laws from the Baker and  Harper families. There are many others I would like to thank but I am afraid that I would run out of time because I have been informed, by none other than the director of the Erasmus Prize Foundation, that the number of family and friends attending this ceremony is more than she has ever seen in her ten years in that position. Well, that is what happens when you give a prize to someone from the world’s most populous country.

However,  it would be remiss of me if I failed to thank Shanti Van Dam, the director, and Britt Kroon, the program administrator, of the Erasmus Prize Foundation who have spared no effort to make the arrangements for this ceremony. And finally, I would like to thank the members and jury of the foundation for bestowing an undreamt-of honor on me, and for making it possible for me to be here today, in the Royal Palace in Amsterdam, to receive the prize from his Majesty, King Willem-Alexander in the presence of the Royal Family of the Netherlands.

Amitav Ghosh is a celebrated writer. He won the 54th Jnanpith award, India’s highest literary honour, in 2018.

 

Monday, 18 November 2024

Ruskin Bond receives Ramnath Goenka Sahithya Samman for Lifetime Achievement


 

Legendary author Ruskin Bond was given the Lifetime Achievement Award at the second edition of the Ramnath Goenka Sahithya Samman awards by The New Indian Express in New Delhi on Friday.

The 90-year-old Bond, who wrote his first book The Room on the Roof at the age of 17, has brought joy to children through more than 500 titles including novels, short stories and essays. Several of his works have been adapted into acclaimed films.

Bond sent a video message from Mussoorie, saying, "This is really a happy moment for me. Here I am in my 91st year receiving a Lifetime Achievement Award and I only wish I could be with you. I am sending my beloved granddaughter Srishti to receive the award because I am certainly not going to let it pass me by. Thank you for the citation and the honour."

Aishwarya Jha won the Ramnath Goenka Sahithya Samman for Fiction for The Scent of Fallen Stars. Jha's debut novel traces two stories of love and longing separated by a little more than two decades.

Veteran journalist Neerja Chowdhury won the Ramnath Goenka Sahithya Samman for Non-fiction for How Prime Ministers Decide. Chowdhury's work offers an unprecedented behind-the-scenes look at how six Indian Prime Ministers -- after Jawaharlal Nehru and before Narendra Modi -- made key decisions that shaped the country.

"Ramnath Goenka was a trend-setter and a man who had the courage to stand up," Neerja Chowdhury said in her acceptance speech in which she expressed her joy at being conferred a literary award.

Swami Swaroopanandaji, Global Head, Chinmaya Mission, graciously consented to be the chief guest.

The awards are named in honour of Ramnath Goenka, a doyen of the Indian print industry and visionary of The New Indian Express Group.

Ruskin Bond received a cash award of Rs 2 lakh and a memento while the other winners received Rs 1 lakh and a memento.

In the non-fiction category, there were three other books in the shortlist — The Day I Became A Runner by Sohini Chattopadhyay, The Yellow Sparrow by Santa Khurai, and H-Pop: The Secretive World of Hindutva Pop Stars by Kunal Purohit.

The fiction section had two other contenders on the shortlist — Acts of God by Kanan Gill, and Western Lane by Chetna Maroo.

The jury also had the difficult task of zeroing in on one among a shortlist of literary luminaries for the Lifetime Achievement Award, the top honour instituted in the name of the group’s iconic founder by Chairman and Managing Director Manoj Sonthalia.

Chaired by Pavan K Varma, former Ambassador and author, the external jury consisted of former foreign secretary and writer Vikas Swarup and the popular writer on history Manu S Pillai. They were joined by an internal jury comprising Editor Santwana Bhattacharya and Consulting Editor Ravi Shankar.

The first edition of the awards was announced at the Odisha Literary Festival 2023 to honour wordsmiths and their invaluable contribution to the world of literature.

For a lifetime of speaking against discrimination, Perumal Murugan, the author of Madhorubagan (One Part Woman) and Pookuzhi (Pyre), was awarded the Ramnath Goenka Sahithya Samman for Literary Excellence.

Researcher and writer Anirudh Kanisetti won the award in the Best Non-Fiction category for his relentless commitment to unravelling the hidden stories of India's past and bringing history to life in his work Lords of the Deccan.

The literary star of 2023, Devika Rege, whose debut novel Quarterlife's depth and maturity astounded one and all, won the award in the Best Fiction category.

The shortlisting of literary works by authors was done by a jury headed by the late Bibek Debroy.